In comparison with analytical cubism, synthetic cubism was more detail oriented and focused more on texture and color Becker 1. In addition, synthetic cubism also ushered in collage elements as an integral part of subject matter. As can be observed, these forms of art were more focused on pensiveness than portrayal, only giving subtle clues to the real forms involved. The introduction of cubism came at a time when there was an exponential growth in progress through out the globe.
It was during this period that several inventions had emerged and were still emerging in regard to technological development. However, the most significant invention to the artists was the introduction of photography. It was evident that the technological revolution was ushering in a new era of modernization Becker 1. Cubism was an effort by artists to deviate from the tried and tested traditions of Western art which were being challenged, for they were viewed as old fashioned and rigid.
Conventional forms of representation were questioned as artists demanded to be in tune with the growing modernization with the introduction of a new form of artistic expression. In addition, photography was taking over most of the artistic fields that involved real images like portraits and so artists needed to conceptualize a new form of art that would uphold the appreciation for artistic expressions.
Artists needed a form of art to challenge photography, and they did this by exploiting the perspective of photography Hunter et al Conventional pictures and photographs were limited in terms of perspective for they could only give one viewpoint which artists viewed as deficient in composition. Another challenge artist faced was on how to express modern trends using the conventional forms of art which they felt had no correlation.
Consequently, the challenges were overcome by Picasso and Braque in , when they introduced cubism as a form of art. Moreover, cubism was essentially intended to express modern images such as the emerging technology at the time. Though both forms of cubism are popular, it is dependant on an observer to decide which form of cubism they have preference over. Analytical cubism tends to have less use of color and places more focus on shape, giving the paintings a more intricate appearance.
Synthetic cubism on the other hand is heavily dependant on color rather than shape and thus such paintings are usually bright and simpler when compared to analytical cubism. The force behind the emergence of this work of art was the need for a newer form of art since conventional forms were being phased out with the emergence of new technology. Becker, Robert. The characteristics of Fauvism include: A radical use of unnatural colors that separated color from its usual representational and realistic role, giving new, emotional meaning to the colors.
Creating a strong, unified work that appears flat on the canvas. The Cubist style emphasized the flat, two-dimensional surface of the picture plane, rejecting the traditional techniques of perspective, foreshortening, modeling, and chiaroscuro and refuting time-honoured theories that art should imitate nature. Cubism was a revolutionary new approach to representing reality invented in around —08 by artists Pablo Picasso and Georges Braque.
Cubism also used a simple color palette in addition to simplified forms. Analytical cubism is the earliest form of cubism, developed between and This style attempted to depict natural forms in geometric shapes like cubes, spheres, and cylinders with altered viewpoints and spatial cues. The color palate in analytical cubism was neutral with many earthy tones; this lack of color flattened the image and gave it a one-dimensional aspect. This style refers to real objects through identifiable details; through repetitive usage, these details also become signs and clues that indicate the identity of the object.
These parts represent the whole instrument as seen from different points of views. Synthetic cubism is a later movement in cubism, which actually grew out of analytical cubism.
This movement lasted from to This style includes characteristics like simple shapes, bright colors, and little to no depth. The most significant change in synthetic cubism is their color palatte; unlike analytical cubism, this style used bold colors like bright reds, greens, blues, and yellows, giving the paintings a greater emphasis.
Moreover, this style combined a large variety of extraneous materials such as newspapers, sand, sawdust and music scores in order to add texture and pattern to art. In other words, the artists built up the image from new elements and shapes.
Thus, collage, which included using signs and fragments of real things, was a main technique in synthetic cubism. In fact, synthetic cubism was developed from analytical cubism. While analytical cubism used a neutral color palette including earthy tones, synthetic cubism used a bolder color palette.
0コメント